Projeto Hyper / Vivo Por Voce, 1999. Featuring Sarah Lacerda, Leticia Oliveira, Andrea Cavalheiro, Otto Gomes Jr. and Jonatas Prates.

PH2001 / Sentido, 2001, Featuring Marion Velasco

Viralata / Backyard, 2002 ,Featuring Fernanda Takai, Chris Shandrow, Par Svenson, Pedro Belleza and Pedro Verissimo.
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December 10, 2003

grizzly bear

Many months ago I was writing a post about the American Idol show. It went something along the lines of, "Clay Aiken looks like Pee Wee Herman and Ruben Studdard is an amazing artist." Well, Studdard went on to win the competition, but Aiken, appealing to the larger, younger (female) teen audience, has been far more prominent in the media. Now Studdard's album is finally out.

I have given Aiken's "Measure of a Man" a quick listen. I figured, "if I can listen to Britney, I can do anything!" Anyway, straightforward, radio-friendly pop has reached a point where you don't need great songs and you don't need a very talented artist - you just need good production. That said, Aiken's stuff is not as evil as it could be. Beneath the prefab radio finish of "Invisible," his hit song, is a competent vocalist with some very obvious, and very outdated, mainstream influences. Unfortunately, it's one of the best songs on the album.

So yesterday I sat down to give Studdard's new release, Soulful, a long listen.

I still like Studdard more. "Sorry 2004" and "What Is Sexy" are both cool songs which highlight Studdard’s timbre and delivery. The album has the "required" rap and hip-hop influences to sound "modern." Too bad, because Studdard is a classic soul man, no gimmicks required.

There's plenty to criticize. Unfortunately, many of the original songs are not exactly inspired. In contrast with mainstream pop, you can't get away with weak songs in R&B, and although a few tracks sound pretty good, some do sound half-baked. On "Ruben" and "Can I get your Attention," you get the impression that the Studdard team is trying to emulate someone else's songs. And I don't like covers. Those featured on this disc are not exceptions.

I just barely recommend this album... only a few songs are really good. But make no mistake, this guy can really sing.

Ruben Studdard's Soulful is a keeper, although cholly was overly nice about it. Believe me, you'll be hating a few tracks.
Clay Aiken's "Measure of a Man," however, is something we do not wish on you (unless you're twelve). That means, "not a keeper." .

posted by cholly | 01:45 PM | comments (3)
 


 
comments

Que bom que o R. Kelly não deu o ar da graça. Gosto muito dele, mas ultimamente redundância é a palavra de ordem pro cara. Parece que tem um outro artista de R&B promissor na área: Anthony Hamilton. Tá concorrendo a alguns Grammy. Por falar no gramofone, que tal o Justified do Justin tar concorrendo a álbum do ano, hein? Exageros (da indústria) à parte , eu adoro esse disco...
E o Outkast? Escutou?

Posted by: joeblack at December 12, 2003 05:58 PM

Aparentemente ele nao gostou das musicas do R. Kelly, "Send Me An Angel" and "Closer To You," que nao aparecem no disco. E na VH1 o Studdard diz que a colaboracao vai ter que ficar para um segundo disco porque, "nossas agendas estao muito cheias." Acho que ele nao gostou do Kelly e da Elliot.

ps: o headline desse artigo tb diz que Kelly nao teve "oportunidade" de encontrar o Studdard pra mostrar as musicas... eheheh.

Posted by: perreira at December 12, 2003 12:10 PM

O R Kelly anda muito chato! Parece que ele andou fazendo algumas coisas pro Ruben, é verdade? A Missy produziu duas faixas que acabaram não entrando no álbum... Too bad. Ruben realmente é "soul". Uma voz que penetra mesmo. E os maneirismos dele também são mais comedidos, não tão afetados. Não gosta de cover mas tu não pode negar que ele arrasou naquela versão dos Carpenters...O CLay tb tem voz interessante, mas talvez falte personalidade. Já escutou a Alicia Keys? Parece ser melhor que o primeiro, o que não é muito difícil.

Posted by: joeblack at December 12, 2003 11:10 AM
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Cholly is Charles Di Pinto.
Music Producer. Underground.
Rock. Electronica. HipHop/Soul.
Philadelphia. Porto Alegre. Toronto.
 
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